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about cv research book project publications conferences teaching courses teaching philosophy conference talk: imaginative autonomy in the automated economy: twitter bots, creative distance, and the algorithmic contours of media form where media criticism has paid much attention to the way algorithms can shape the production, dissemination, and economics of creative media, this paper will theorize the creative algorithm as itself an emergent media form within increasingly automated media and cultural spaces. • april 16, 2016 conference talk: apocalyptic imaginaries and the aesthetics of imminent end where dystopia in fiction and film typically suggests itself as a kind of anti-aesthetic space, the possibilities of beauty and imagination having been expunged by some constricting totality, contemporary apocalyptic narratives often fixate on aesthetic possibility over and against a landscape that seems to foreclose it. • january 13, 2016 article: traveling through corporate time: inevitability and (anti-)corporate narrative form insofar as futurity continues to take on increasing significance as an object of rhetorical struggle, economic investment, and political imagination, its ongoing restructuring by corporate entities assumes great urgency. but the corporation’s influence on the structures of future-thinking goes beyond real-world corporate ownership of cultural production and distribution venues; it has to do, rather, with the corporation’s own narrative machinery, the ramifications that that machinery has outside of the corporate assemblage, and the way that machinery interfaces across legal, political, economic, and cultural registers. • december 28, 2015 conference talk: life in (un)death: in the flesh, the medicated undead, and the limits of the biopolitical what happens when the zombie itself becomes subject to the very regime for which it has been such an indispensable rhetorical figure? what happens when the rhetoric of zombification and the control measures it makes indispensable fold back in on themselves, in the form of biopolitical regulation of zombiedom itself? • november 15, 2015 leap/engl 15: composing across media this course will argue that writing does not exist—and never has existed—in a vacuum, that it is constantly influenced by (and influencing!) other modes of communication, expression, and thought in other genres, contexts, and media forms. • june 27, 2015 conference talk: the fantastical unmanned: techne, genre, and the (super)naturalized drone does reorienting our thought away from the individual drone apparatus and toward the regime of drones (a collective force of omnipotence and omnipresence, both within and above our natural surroundings) open up new avenues of thinking about life under the aegis of the drone? in other words, is one drone a science-fictional technology, but a fleet of drones a fantastical monster—and if so, is this the monster most emblematic of the present? • march 19, 2015 engl 262: culture under surveillance on some level, surveillance and narrative seem to have an awful lot in common: both are technologies reaching across time and space to allow some parties to see into the inner lives of others, to witness and record private moments, to look from the outside in and make the private public. • january 2, 2015 conference talk: the digital lives and afterlives of collaborative classroom knowledge what happens if the world of the humanities classroom didn’t end, at least not in the way we expect it to? what would it look like to articulate the “you had to be there” collective experience of a good class, the private knowledge it generated, to and for those who weren’t “there,” beyond the apocalyptic transitions of winter or summer break? • november 16, 2014 conference talk: the futures of work and self: fluid humanity and laboring identities in contemporary science fiction the danger of the demands for fluid laboring identities, voiced by and within austerity regimes, is not that they might lead to catastrophic digital technologies of control and domination. it’s that those demands are themselves but the latest release of much older technologies, technologies that have proven terrifyingly apt at constraining selves, dictating labor, and coding identity as just another practice of profit and accumulation. • october 9, 2014 conference talk: discursive worlds inside and outside the classroom how might we broadcast the particular knowledge generated within a class—specific to a set of individuals in a specific context, with specific experiences, associations, and languages—to spaces and contexts outside of that class, and what happens to that knowledge when it is broadcast? in what forms and with what benefits can the associations and conceptual vocabularies built over the duration of a class be made to function outside of the space and time of that class? • october 4, 2014 conference talk: i sing the body comic: breaking the skinned surfaces of empaneled corporeality how do the interplay of surface and depth in sequential art—the static image whose depths are revealed or implied in juxtaposition, sequencing, and textual accompaniment—render a theory of the body, and of the relationship between the body’s inside and outside? how does the human body in graphic narratives function as a site for boundary-crossings between insides and outsides of all kinds—not just skin and viscera, but publics and privates, revelations and secrets, the presented and the withheld? • june 28, 2014 leap/engl 15: photography and writing as andre agassi and canon told us in 1990, image is everything. • june 26, 2014 conference talk: distant bodies and the proximities of drone subjectivity what is it to inhabit a body in relation to other bodies under the aegis of the drone, on whose indispensability even the figureheads of nation-state and corporation can agree? how might our thinking of the socius as technologically, politically, and economically mediated be informed by the figure of the drone? how does the ascendency, figuratively and literally, of drone technology condition both distance as such and the human experience of empathy, attention, and power across distance? • april 5, 2014 conference talk: viral modernity: accumulation, transmission, and the shape of the world what theoretical work can the virus—indeterminately living and non, analog and digital, natural and manmade, corporeal and virtual—do to articulate and clarify the constitutive paradoxes of postmodernity, neoliberalism, and global finance capitalism? • october 5, 2013 engl 15: image and rhetoric how does persuasive writing conjure images in its audience’s heads, and how do those images embody or enable the act of persuasion? and: why are images so powerful in human culture, to the point that we go to war for flags, threaten violence over cartoons, and regulate or outright censor various kinds of visual depictions? what makes the image so potent, and how might it help us understand rhetoric more broadly? • june 26, 2013 lynd ward prize under the auspices of psu libraries and the pennsylvania center for the book, i served as the chair of the selection jury for the 2013 lynd ward graphic novel prize, “presented annually to the best graphic novel, fiction or non-fiction, published in the previous calendar year by a living u.s. or canadian citizen or resident. • april 10, 2013 conference talk: ethics, awareness, and the desire that is (or was) global hyperlink cinema what is it to conjure, in fiction, the totality of the world in its worldness? to capture it on film? to evoke it as object, subject, muse, master, organizing principle rather than unremarked backdrop? to narrate its tendrils in all of their tangled complexity? to assemble it, or a passingly coherent sense of it, from shots, scenes, fragments? • february 20, 2013 engl 136: comics i aim for you to leave this class with a handle on why comics are far from the trivial, adolescent timesuck others often as
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